October 10 - December 12, 2021
Louis Cameron
Mina Han
Lily Healey
Otis Houston, Jr.
Jîrî Kovanda
Ellen Lesperance
Judith Shahn
Trupa Trupa
OPENING RECEPTION: Sunday 10 October, 2–5:00pm
Gallery Hours:
Fridays and Saturdays, 1–6:00pm
and by appointment
Confessions of the Century continues the Broodthaers Society of America’s interest in the idea of work—what it means to work, or to make work, or to work for a living—and to what extent these ambits might relate and overlap.
Confessions of the Century is inspired by three things: a text in which the young Marcel Broodthaers worked as an undercover journalist on the construction site of the Brussels World’s Fair; the current, recalcitrant labor market; and a selection of artists whose art, in various ways, approach work as an amalgam of wonder, productivity, and resistance. The artists in the show share a commitment to complex and often eccentric technical skills, skills that require a lot of work even though they don't necessarily make sense.
The show features recent work by:
Louis Cameron (Berlin)
a conceptual artist whose art takes the form of various premeditated system failures;
Mina Han (Brooklyn)
a recent SVA grad who makes drawings of world leaders and of her husband, sleeping;
Lily Healey (New York)
a graphic designer for the New Yorker who designed Utopia, an algorithmically mutated title font;
Otis Houston Jr. (New York)
a concrete poet, performer, sculptor, and all-around proselytizer;
Jírí Kovanda (Prague)
a conceptual artist renowned for his liminal objects and performances;
Ellen Lesperance (Portland)
a multidisciplinary artist working with the legacies and haptic skill sets of feminism;
Judith Shahn (1929–2009)
a painter and illustrator who published extensively in Harper’s, The Nation, and the New Yorker; and
Trupa Trupa (Gdańsk)
a post-punk band with ambient/art rock leanings whose new single is due out in November
Work, or the absence of it, was a lifelong concern of Marcel Broodthaers, affecting both his principles as an artist and his politics as a citizen. Confessions of the Century, as a show, negotiates this balance, a balance described in the eponymous article cited above that was previously thought to have not been published. In fact, “Les Confessions du Siècle” was published in the Bruxellois magazine Le Patriote Illustré on December 15, 1957, and included 400+ words (and supporting photojournalism) missing from the manuscript included in Broodthaers' Collected Writings.
A new translation of the fully reconstituted text will be included as part of the exhibition, accompanied by the original French language copy in the Society's archive. The translation was done by New York critic and curator Nora Kovacs in collaboration with the Broodthaers Society, and is available for purchase in print or PDF for ten dollars. All proceeds further the mission of the Broodthaers Society.
Louis Cameron
Mina Han
Lily Healey
Otis Houston, Jr.
Jîrî Kovanda
Ellen Lesperance
Judith Shahn
Trupa Trupa
OPENING RECEPTION: Sunday 10 October, 2–5:00pm
Gallery Hours:
Fridays and Saturdays, 1–6:00pm
and by appointment
Confessions of the Century continues the Broodthaers Society of America’s interest in the idea of work—what it means to work, or to make work, or to work for a living—and to what extent these ambits might relate and overlap.
Confessions of the Century is inspired by three things: a text in which the young Marcel Broodthaers worked as an undercover journalist on the construction site of the Brussels World’s Fair; the current, recalcitrant labor market; and a selection of artists whose art, in various ways, approach work as an amalgam of wonder, productivity, and resistance. The artists in the show share a commitment to complex and often eccentric technical skills, skills that require a lot of work even though they don't necessarily make sense.
The show features recent work by:
Louis Cameron (Berlin)
a conceptual artist whose art takes the form of various premeditated system failures;
Mina Han (Brooklyn)
a recent SVA grad who makes drawings of world leaders and of her husband, sleeping;
Lily Healey (New York)
a graphic designer for the New Yorker who designed Utopia, an algorithmically mutated title font;
Otis Houston Jr. (New York)
a concrete poet, performer, sculptor, and all-around proselytizer;
Jírí Kovanda (Prague)
a conceptual artist renowned for his liminal objects and performances;
Ellen Lesperance (Portland)
a multidisciplinary artist working with the legacies and haptic skill sets of feminism;
Judith Shahn (1929–2009)
a painter and illustrator who published extensively in Harper’s, The Nation, and the New Yorker; and
Trupa Trupa (Gdańsk)
a post-punk band with ambient/art rock leanings whose new single is due out in November
Work, or the absence of it, was a lifelong concern of Marcel Broodthaers, affecting both his principles as an artist and his politics as a citizen. Confessions of the Century, as a show, negotiates this balance, a balance described in the eponymous article cited above that was previously thought to have not been published. In fact, “Les Confessions du Siècle” was published in the Bruxellois magazine Le Patriote Illustré on December 15, 1957, and included 400+ words (and supporting photojournalism) missing from the manuscript included in Broodthaers' Collected Writings.
A new translation of the fully reconstituted text will be included as part of the exhibition, accompanied by the original French language copy in the Society's archive. The translation was done by New York critic and curator Nora Kovacs in collaboration with the Broodthaers Society, and is available for purchase in print or PDF for ten dollars. All proceeds further the mission of the Broodthaers Society.