This family tree of "wild" Belgium (or choose your own interpretation of "sauvage"—primitive, untamed, savage) chronicles the DNA of every independent artist's journal published in the country from 1900–1978, which is when this poster was issued as a supplement to Phantomas. You can learn more about its impressive run and see a copy of nearly
every issue here.Brussels: Phantomas / Theodore Koenig, 1978.